Review : ALCEST — "Les Voyages De L'Âme"

 

AlcestLes Voyages De L’Âme
Release: 2012Jan06
Label: Prophecy Productions
Rating: 4.5/5

Alcest‘s previous full-length, Écailles De Lune, was my first review for Mind Over Metal. Now that we’re at another release, it feels right that I do this one, too. Les Voyages De L’Âme opens with “Autre temps”, and the first thing you’ll notice is that Neige has ventured even further from his metal roots. The first half of this song has a mild appeal, even tamer than Green Carnation‘s acoustic songs. It’s awash with reverb and is dripping with soft, watery echo. Distorted guitars eventually make their way in (even some tremolo-picked parts towards the end), but the overall sound is soft, gentle, and perhaps in some respects, a little straightforward.

“Là où naissent les couleurs nouvelles” offers more of what you would expect from Alcest:  that droning shoegaze place caught between joy and melancholy. The vocals are wondrous and mellow. You might think the drums would fall to the background like they do with a lot of post-black metal, but they’re way up there, produced well, and dynamically engaging. The song even features screams, and eventually semi-traditional blast beat black metal which is absolutely beautiful—not jarring in the least. Then, just when you think it may become repetitive, the song explores new lands of this dreamscape, as only Neige can.

The title track has more of this good stuff, though it starts getting excessively cheerful toward the end, at least as far as melody is concerned. Even though I like things dark, it does create a nice juxtaposition against the more forlorn passages (although don’t expect smiles and hand-clapping like Mr. Big or anything). “Beings of Light” is another brilliant nod to the post-black, with a simple choral structure that is both elegant and heavy.

Les Voyages de l’Âme is a great album. The clean and atmospheric production shows logical progress, but composition doesn’t go anywhere new that’s of consequence. This is fine for now, because the sound achieved by Écailles De Lune did warrant further exploration, but for future releases, I’m hoping for progression outside of the atmospheric shoegaze post-black metal melancholy safety zone—so long as it’s not soft rock. [Deep inside, I hope you feel it, too.  ~Ed.]

Composition: 4/5
Musicianship: 5/5
Production: 5/5
Mood: 5/5
Presentation (Ferocity/Doom): 5/5
Origin (Innovation/Tradition): 4/5

(but don’t take my word for it, Prophecy Production has made available the entire album on YouTube!)

~Breath of Mozym has a blog here and also just interviewed Neige.

Interview : Neige (ALCEST)

Neige is the mind behind Alcest—a French band birthed in black metal, but whose wings have broadened beyond its fledgeling origins. Read about the personal vessel that is Alcest, how significant is nostalgia through his creation, and the development of Les Voyages de l’Âme.

BoM: How are things over there in France?

Neige: Everything’s okay. Preparing for the coming tour.

When I heard about interviewing, I was told your schedule is very busy.

At this moment yeah, it’s crazy. Every day there’s lots of work to do.

You just released Les Voyages de l’Âme. Anything interesting you can tell me about the making of that album?

We use the same studio as the last one. We recorded the music in Germany—the studio of the guy of Empyrium. We mixed it in France. It all went pretty well. The only thing that is really important to mention was the making of the video. It was really a higher step for me. I’ve wanted to do this for a long time and it was really great.

Was the video the hardest part?

Yeah, kind of. We didn’t have a lot of money, But I was very satisfied—it was pretty much what I had in my mind.

Any changes we can expect in a future release?

I think it will have more or less the same basis, but I really want to go into something more folky and more spontaneous, and with less metal—less connections to a metal style. I think on the next one I will spend a lot of time on the composition and not make a classic rock record, because the core of Alcest will always be the same you know: a dreamy, watery music, but I want to work a lot on the next album to maybe change the style of music.

 

Your music seems to reflect a personal nostalgia for something.

Yeah, there is a strong nostalgic feeling in it for sure. A drifting feeling—some songs are about joy and bliss and serenity, some others are more nostalgic, maybe a bit melancholy but I don’t think it’s very dark or negative. It’s always nostalgic in a positive way.

Is the nostalgia purely abstract, or are there any past events or stories in particular?

Well then I have to tell you the concept of the band. It’s nostalgia for the places and visions from when I was a child. When I was a child I had day dreams—a magical land, you know? And that’s why I created this band. To express myself, this place, and my feelings that related to it because it’s really hard to speak about it… I needed to make music about it and get inspiration from this world. It’s a kind of nostalgia for this beautiful and heavenly dimension.

Is there anything else that drives your lyrics? Any political or ideological motivation?

No. It’s not music speaking about our world. I am never thinking about what happens here. It’s about subjects like life, afterlife, or astral journeys or immortality or faith. It’s mainly about esoteric subjects and spirituality.

What are some newer bands that inspire you?

The newest band that’s inspired me a lot is Slowdive which I had discovered after just having made my first album. And maybe a little of Joy Division but that’s not really evident in my music, but it’s a really important band for me.

~Breath of Mozym

[I can only imagine their conversation then dipped into a downward terror spiral of bird spit, live rats, monkey brains, and bee larvae.  Anyway, Les Voyages de l'Âme is available from Prophecy Productions and it's absolutely breathtaking. Watch the intriguing video for "Autre Temps" below.  ~Ed.]


Editorial : Mats Johansen's Top 15 of 2010

1. EnslavedAxioma Ethica Odini
These Norwegians succeeded in fusing classic black metal with the progressive ideas they’ve nurtured since their album Below The Lights, resulting in an instant classic which will undoubtedly be considered a milestone in both Norwegian and international  heavy metal for many years to come.

2. KylesaSpiral Shadow
The Southerners have been long considered as one of Mastodon‘s baby siblings. But now they’ve joined the big leagues,  fusing their sludge with the melancholy of The Cure and the desperation of Pixies.

3. AgallochMarrow Of The Spirit
I was late to discover this magnificent album, only reading about them in other year-end lists. Perfecting their mix of epic darkness, black metal and post rock, Agalloch would’ve definetely challenged Enslaved as the best band of 2010 had I discovered them earlier in the year.

4. TriptykonEparistera Daimones
Thomas Gabriel Fischer left Celtic Frost after completing the amazing Monotheist, but luckily he’s kept hold of the thunder. Triptykon‘s debut is a scary and incendiary vision of what heavy metal can evolve into during the next few years.

5. Altar Of PlaguesTides
This Irish band fused industrial rock with black metal and their previous album, White Tomb, was defined as a modern classic by many critics. With this 35-minute EP filled with apocalyptic soundscapes and utter darkness, they feel like the genre’s new wonder boys.

6. AlcestÉcailles De Lune
This record got a bit of shelf time before I discovered it; having it only in digital format on my iPod. But in the winter darkness, this French masterpiece seduced me with their shoegazing black metal.

7. US ChristmasRun Thick In The Night
I’ve been listening to USX for quite some time, and had high expectations as I sat down to listen to their newest opus—I was not to be disappointed. Run Thick In The Night has everything: garage rock, mountain country music, and doom metal all rolled into one.

8. GhostOpus Eponymous
Is it possible that a witch cult from the Swedish forests can release one of the best heavy metal releases in 2010? Oh yes, they’ve made a headnodding homage to the prince of darkness, and they’ve found a sweet spot in the twilight zone between Black Sabbath and their fellow countrymen, Witchcraft.

9. HorsebackThe Invisible Mountain
This album danced into my life as summer turned yellow. It’s laid-back soundscapes of droning doom metal and psychedelia works just as perfectly as both a sofa soundtrack, and the sounds of a walk through the city streets. Horseback is a strong rival to OM‘s transcendental chants.

10. Year Of No LightAusserwelt
This French ensemble released one of the great metal records in ’06. Then they fired their singer and started all over again, now sounding like a completely different band. Their instrumental post-rock and blackened doom feels like an orchestral apocalypse.

11. Electric WizardBlack Masses
Their album Dopethrone is considered one of the previous decade’s most important heavy metal records. This year they’ve made a more accessible album without losing their sense of doom, and shows a band setting themselves up as contenders for the European metal throne.

12. TwilightMonument To Time End
This album almost sounded too good to be true—a supergroup of American black metal assisted by underground icons Sanford Parker and Aaron Turner. Twilight refuses to be categorized, but still hints at blackened metal, industrial, ambient and rock noir.

13. KollwitzLike Iron I Rust
Kollwitz has finally given the Norwegians a band to challenge groups such as Cult Of Luna and Rosetta. Like Iron I Rust is highly satisfying muscular melancholy, with some of the most beautiful packaging of the year.

14. KvelertakKvelertak
I really liked this album as soon as I put it on the turntable, but got hooked as I saw them explode as the intimate Garage venue in Oslo. It’s hard as nails, catchy, and graced by John Baizley’s unmistakable artwork.

15. NachtmystiumAddicts: Black Meddle, Pt II
These Americans, together with Wolves In The Throne Room, made me really notice stateside black metal. The album looks to the future, turning their black metal into accessible heavy metal without losing any strength on the way.

Podcast : MetalMattLongo's 2010, Semi-Structured

And he puzzled and puzzed... till his puzzler was sore.

The included list of bands are an alphabetical order by band name rather than order of appearance, either on the live show or on my list posted here on MindOverMetal.org… guess you’ll need to listen and/or read up to find out!

Accept, Agalloch, Alcest, Allegaeon, Arsis, Atheist, Consecration, Enslaved, Fields of Locust, High on Fire, Holy Grail, HowL, Ihsahn, Iron Maiden, Judgement Day, Karma to Burn, Killing Joke, Kvelertak, Kylesa, Les Discrets, Monster Magnet, Norma Jean, Opeth, Pin-Up Went Down, Swans, The Empire Shall Fall

[buzzsprout episode="19620" player="true"]

Editorial : MetalMattLongo's 2010 – 13 Favorites, 13 Alternates, and Afterthoughts

I thought continuing the top 13 was a good way to go, but for every album I thought of, a parallel arose. So the list turned out as it did (with top slots held by bands found on few metallic year-end lists). Plus more stuff came to mind in the process—perhaps categories will be in order next year.

13. Arsis – Starve for the Devil
Wracked with inner turmoil on a number of levels, James Malone invited us into the deepest and darkest corners of his psyche. Admittedly, I expected this to end up on my best-of list by virtue of track record alone, but between the wry humor, unforgettable tunes, and amazing reformed band (with original drummer Michael van Dyne), everything works.

13a. Allegaeon – Fragments of Form and Function
If you like catchy melodeath with blackened vocals but not the tortured past, consider Allegaeon, whose excellent debut dominated my summer. Arguably the best tech death debut of the 21st century thus far.

12. Pin-Up Went Down – 342
342 is one of the most adventurous albums released this year. Carnival in Coal fans now have more madness to admire.

12a. Ufomammut – Eve
Maybe you’d like something just as experimental, but more in the vein of sludgy post-metal, and one giant track. Also a three-character title like 342, Ufomammut chose the “first woman” Eve as their centerpiece (though Cradle of Filth may contest this, having recently written about Lilith).

11. Alcest – Écailles de Lune
Some of the mellowest and most beautiful black metal I have heard was composed by Alcest on this release. Neige is now a leader in the burgeoning French black metal movement.

11a. Les Discrets – Septembre Et Ses Dernières Pensées
Joshua Perrin—who reviewed both Alcest and Les Discrets—mentioned to me that this album “seems a 5/5 in retrospect”. It would be silly to not parallel these two releases, especially since Winterhalter drums on both, and they even put out a split in 2009.

10. Holy Grail – Crisis in Utopia
Just the best NWOBHM-influenced music of the year, and a complete surprise considering the hullabaloo surrounding the White Wizzard split-up. But that band just cannot hold onto its members, and my money—as well as Brad Barratt‘s, who did the review—is on Holy Grail.

10a. Iron Maiden – The Final Frontier
Perhaps the young bucks are not your cup of tea. That’s fine, because Maiden‘s latest is their best since reforming with Brave New World a decade back. A sprawling sci-fi masterpiece, the band still reminds us who helped write the book on epic metal, with their longest album yet at 76 minutes!

09. Karma to Burn – Appalachian Incantation
You don’t notice how strong or how stealthy these hooks are until they have already subtly burned into memory. A blend of mostly new material, with a surprisingly single-worthy track in “Waiting for the Western World” that even included vocals for the first time since they booted the original singer (and a great job done by Daniel Davies). Definitely worth waiting the 9 years.

09a. Judgement Day – Peacocks/Pink Monsters
Heavy instrumental strings that are not Apocalyptica? Hell, sign me up for variety’s sake, if nothing else. But you know that’s not enough, nor would reflexively pulling for the underdog. Still, at year’s end Judgement Day‘s innovative self-released sophomore effort is here and 7th Symphony is not. Find out why, won’t you?

08. Kylesa – Spiral Shadow
Just like their last effort, I approached this album with begrudging reluctance. Last time, it was because I was underimpressed with the previous release, but this time I feared unrealistic expectations since Static Tensions was #3 on my Best of 2009. Spiral Shadow was a slow-grower for me, but just like the guy on the couch, once it got comfortable it was difficult to remove.

08a. HowL – Full of Hell
The sound of Hotlanta in convenient Rhode Island form! Seriously, if you wanna bring the dirty, HowL are your people. Detractors can nitpick Full of Hell all day long, but must never lose sight of the fact that the album sounds exactly as it should.

07. Norma Jean – Meridional
I never would have guessed this one. Norma Jean had yet to strike so potently before Meridional, and I discussed the process with Jake Schultz shortly after its release.

07a. The Empire Shall Fall – Awaken
I had all but lost track of one Jesse Leach, who formed TESF after Seemless split up, and funny enough, one of my favorite interviews happened with Jesse this past April Fools Day. Both bands in this #7 slot drove welcome rifts in what some may call the “metalcore” genre, but if you read both those interviews, neither necessarily identify with that label.

06. Ihsahn – After
My first pick for the Best of 2010 remained for the entire year, with the Norwegian black metal giant pushing progressive boundaries further than he ever had before. The crazy saxophone work was a perfect addition to one of Metal’s most fearless composers.

06a. Agalloch – Marrow of the Spirit
I was originally going to put the Shining album Blackjazz opposite Ihsahn‘s After since both feature Jorgen Munkeby on sax, but instead decided on a late entry by Willie Strausser (who actually wrote both reviews); sometimes recency wins over primacy.

05. Atheist – Jupiter
Frighteningly fluid and precise, this is the year-end spoiler to end all year-end spoilers. Listen/read to my interview with Steve Flynn for even more insight!

05a. Accept – Blood of the Nations
Want another album written by an archetypal band who has not released new material in (blank)teen years and absolutely slays? Enjoy.

04. High on Fire – Snakes for the Divine
So not only is this the strongest High on Fire album yet, but they begin with their best song and it’s also the title track? Matt Pike has always had a big set of brass ones, and I wish E1 Music luck containing them, as their amazing year of releases from newly labeled artists as diverse as the classic Overkill to the newfangled Powerglove still aren’t quite as heavy as this crown jewel.

04a. Monster Magnet – Mastermind
Speaking of label jumps by stoner rock bands, I forgot Monster Magnet was jumping to Napalm Records until Mastermind was actually released. Their only other band that seems similar in style is the aforementioned K2B (which came out this year, too). No matter, good for all parties involved. Check out a happily revitalized Dave Wyndorf HERE.

03. Enslaved – Axioma Ethica Odini
The ultimate sonic realization from the Norwegian pioneers. My imagination can scarcely contain what the future now holds from these modern masters. Big thanks to all the work from our regional correspondent Mats Johansen, who reviewed this and the following album (in addition to much more).

03a. Kvelertak – Kvelertak
By comparison, the devastating debut from these death rockers likewise draws from a breadth of influences, but the fanciest thing found here is John Baizley’s artwork.

02. Consecration – .avi
We may lay Isis to rest. The sacred texts written by the American band surfaced in Serbia, and have been interpreted with honor. This was my favorite for quite some time, and one of the few albums I can admit to indulging on ‘repeat’ during an entire work shift.

02a. Fields of Locust – Subtopia
Of course, there are many bands seeking to fill the sizable gap left in the absence of Isis. And as it turns out, self-released seems to be the way to go this year. Head about 500 miles south of Consecration and you’ll come to Fields of Locust in Greece, whom I foresee in a mighty double-bill.

01. Killing Joke – Absolute Dissent
You need to hear this album—NOW. Trust me.

01a. Swans – My Father Will Guide Me Up a Rope to the Sky
Just as Killing Joke was off my radar, so were Swans. And in similar fashion, neither have a Metal core, yet turned out some of the heaviest music in 2010.

Top three live releases:

03. Dio – At Donington UK: Live 1983 & 1987
02. Heaven & Hell – Neon Nights: 30 Years of Heaven & Hell
01. Opeth – In Live Concert at The Royal Albert Hall

Three websites that made impressive advancements for the Metalverse:

03. DarkLyrics — thank you for reducing text size to make searching faster… and, you know, just existing
02. Encyclopaedia Metallum — Android app, Add-ons, & ‘Random Band’ search… oh, my!
01. Horns of the Devil — aggregated Metal reviews = perfect… and getting perfect-er


That’s all, folks. Sincere thanks to all contributors, subscribers, and visitors… we have loads more for the future, and hope you’ll join us there! m/om/

 

~MetalMattLongo

Review : LES DISCRETS – "Septembre Et Ses Dernières Pensées"

Les DiscretsSeptembre Et Ses Dernières Pensées
released March 29, 2010 on Prophecy Productions

Rating : 4/5

Les Discrets is a band that has been playing musical chairs with Phest, Amesoeurs, and Alcest via members Winterhalter and Fursy Teyssier. Even Neige has had a hand in this. It stands quite apart of these other projects though, with less of a shoegaze post-black feel and more of an amalgamation of 80s/90s gothic rock, along the lines of Fields of the Nephelim and semi-acoustic atmospheric metal, such as Agalloch.

The album opens with a gloomy and deceivingly orientalist serenity, and the short instrumental drifts into the opening track, “L’échappée”. The song has a catchy melody to it and when the vocals come in, they seem to fit perfectly and work even better en Français. The song eventually travels into a “la da da da” (and again in the catchy ballad “Chanson d’automne”) which makes you realize you’re not really listening to metal anymore.

Some black metal influence can be heard in “Les feuilles de ‘olivier” and especially the dissonant minor passages in “Effet de nuit”, the latter of which being one of the highlights of the album. Septembre Et Ses Dernières Pensées definitely has the elegant melancholy that these other French bands seem to tote. Chanson d’automn is an example of this, with watery guitars, slow and easy drum beats, and dream-like vocals.

The album travels to a lot of different places genre-wise. It’s hard to nail down exactly what style they’re trying to grasp, whether it’s the post-punk elements, black metal tint, atmospheric/gothic rock influence, shoegaze, or traditional acoustic sound. Every song sounds like the same band, but not every song fits the same sub-genre.

The album as a whole is beautifully orchestrated, but I feel they still have a way to go before making a masterpiece. If you’re a fan of Alcest, Opeth, Agalloch, or hey, maybe even Sisters of Mercy, you’ll probably enjoy this album.

Try 3, 6, 8

01.  L’ Envol des Corbeaux
02.  L’ Échappée
03.  Les feuilles de l’ olivier
04.  Song for Mountains
05.  Sur les Quais
06.  Effet de Nuit (Song composed for Phest)
07.  Septembre et ses dernières Pensées
08.  Chanson d’Automne
09.  Svipdagr & Freyja
10.  Une Matinée d’ Hiver