Editorial : Cole Dougherty's Top 10 of 2010

Cole was born a snake handler, just like Moe Szyslak.

1. Warp RidersThe Sword
For the third time in a row, The Sword has released and absolutely awesome album. Contrasing from its predecessors—Age of Winters and Gods of the EarthWarp Riders tells a science-fiction tale of a ravaged planet in the farthest reaches of outer space. This new concept turned off a lot of fans because of the lack of “sword and sorcery” type themes they had grown used to. However, I believe this release is their best, and shows off their ability to break from the norm and make an original piece that conforms to no one.

2. Dementia/DyslexiaFleshwrought
This album simply slays. It is technical, proggy death metal at its finest. Anyone who doubts the capabilities of Johnny Davy and Navene Koperweis are nothing more than jealous. Many people have a hard time respecting musicians who got their start in the deathcore scene. Well, it’s time to shut your mouth and open your ears because this shit is blistering.

*Note: I would also like to give another end of year award for The Most Accomplished Performer In Metal to the man behind Fleshwrought: Navene Koperweis. From composing and performing all the instruments on the phenomenal Dementia/Dyslexia to taking the seat behind the drumset in Tosin Abasi’s Animals As Leaders, Koperweis has shown that he has immeasurable talent and creativity and he should be recognized as one of the top young performers in the business.

3. For Aeon’s PastSolution .45
Let’s be clear: THIS is the fourth Scar Symmetry CD (not Dark Matter Dimensions) because there is no Scar Symmetry without Christian Alvestam—he is irreplaceable. This CD packs everything you loved about SS and more. His vocals are on point and every single song is as catchy as can be. I know that his clean vocals are a turn-off to many, but for me, his vocals combined with this kind of Scandinavian melodeath are a perfect match.

4. Axioma Ethica OdiniEnslaved
The top 4 of my list could be jumbled up in any order and I would still agree with the outcome because they are all phenomenal. Enslaved‘s catalog really needed a stand-out and this is it. Axioma Ethica Odini packs in all of the best parts of their music in to one fantastic body, and is as good as ANY that were released this year.

5. Curse Of The Red RiverBarren Earth
If you’ve ever wondered what Opeth would sound like had they been Finnish and a little more folky, Barren Earth is the answer. The first release from this supergroup is a gem that should be in everyone’s collection.

6. Over The Top - White Wizzard
Usually, metal like this isn’t really my style but every so often I’ll find some power metal/cock rock that speaks to me (i.e., Manowar) and this is one of those times. Over The Top is great from front to back, without a single mediocre song. I would say I’m looking forward to their next album, but with the exit of the singer and lead guitarist, I don’t expect much.

7. Snakes for the Divine - High on Fire
This album is the first HoF release that I have ever really gotten into. Their previous releases have been good but nothing has ever really grabbed me. Snakes For The Divine brings more aggression and classic rock songwriting style to the mix and its awesome.

8. Enemy UnboundThe Absence
It sure is nice to know that someone still wants to make melodic death metal like the Swedes did in the late 90s. This is another strong effort for The Absence, and check out my interview with Patrick Pintaville HERE.

9. PolarityDecrepit Birth
This third album from Decrepit Birth makes me excited to see what they have in store for us down the road. This band also puts on a fantastic show and released a really good album in Polarity.

10. Wave Of BabiesAnimals as Leaders
That’s correct. I am giving the 10th best album of the year to a digital sale only SINGLE, but that’s just how good this song is. “Wave Of Babies” is a Meshuggah-influenced explosion of technical skill and creativity. It’s the best thing Tosin Abasi has created, and had he released an EP that had a few more songs on par with this one, it would be at the top of my list.

Podcast : MetalMattLongo's 2010, Semi-Structured

And he puzzled and puzzed... till his puzzler was sore.

The included list of bands are an alphabetical order by band name rather than order of appearance, either on the live show or on my list posted here on MindOverMetal.org… guess you’ll need to listen and/or read up to find out!

Accept, Agalloch, Alcest, Allegaeon, Arsis, Atheist, Consecration, Enslaved, Fields of Locust, High on Fire, Holy Grail, HowL, Ihsahn, Iron Maiden, Judgement Day, Karma to Burn, Killing Joke, Kvelertak, Kylesa, Les Discrets, Monster Magnet, Norma Jean, Opeth, Pin-Up Went Down, Swans, The Empire Shall Fall

[buzzsprout episode="19620" player="true"]

Editorial : MetalMattLongo's 2010 – 13 Favorites, 13 Alternates, and Afterthoughts

I thought continuing the top 13 was a good way to go, but for every album I thought of, a parallel arose. So the list turned out as it did (with top slots held by bands found on few metallic year-end lists). Plus more stuff came to mind in the process—perhaps categories will be in order next year.

13. Arsis – Starve for the Devil
Wracked with inner turmoil on a number of levels, James Malone invited us into the deepest and darkest corners of his psyche. Admittedly, I expected this to end up on my best-of list by virtue of track record alone, but between the wry humor, unforgettable tunes, and amazing reformed band (with original drummer Michael van Dyne), everything works.

13a. Allegaeon – Fragments of Form and Function
If you like catchy melodeath with blackened vocals but not the tortured past, consider Allegaeon, whose excellent debut dominated my summer. Arguably the best tech death debut of the 21st century thus far.

12. Pin-Up Went Down – 342
342 is one of the most adventurous albums released this year. Carnival in Coal fans now have more madness to admire.

12a. Ufomammut – Eve
Maybe you’d like something just as experimental, but more in the vein of sludgy post-metal, and one giant track. Also a three-character title like 342, Ufomammut chose the “first woman” Eve as their centerpiece (though Cradle of Filth may contest this, having recently written about Lilith).

11. Alcest – Écailles de Lune
Some of the mellowest and most beautiful black metal I have heard was composed by Alcest on this release. Neige is now a leader in the burgeoning French black metal movement.

11a. Les Discrets – Septembre Et Ses Dernières Pensées
Joshua Perrin—who reviewed both Alcest and Les Discrets—mentioned to me that this album “seems a 5/5 in retrospect”. It would be silly to not parallel these two releases, especially since Winterhalter drums on both, and they even put out a split in 2009.

10. Holy Grail – Crisis in Utopia
Just the best NWOBHM-influenced music of the year, and a complete surprise considering the hullabaloo surrounding the White Wizzard split-up. But that band just cannot hold onto its members, and my money—as well as Brad Barratt‘s, who did the review—is on Holy Grail.

10a. Iron Maiden – The Final Frontier
Perhaps the young bucks are not your cup of tea. That’s fine, because Maiden‘s latest is their best since reforming with Brave New World a decade back. A sprawling sci-fi masterpiece, the band still reminds us who helped write the book on epic metal, with their longest album yet at 76 minutes!

09. Karma to Burn – Appalachian Incantation
You don’t notice how strong or how stealthy these hooks are until they have already subtly burned into memory. A blend of mostly new material, with a surprisingly single-worthy track in “Waiting for the Western World” that even included vocals for the first time since they booted the original singer (and a great job done by Daniel Davies). Definitely worth waiting the 9 years.

09a. Judgement Day – Peacocks/Pink Monsters
Heavy instrumental strings that are not Apocalyptica? Hell, sign me up for variety’s sake, if nothing else. But you know that’s not enough, nor would reflexively pulling for the underdog. Still, at year’s end Judgement Day‘s innovative self-released sophomore effort is here and 7th Symphony is not. Find out why, won’t you?

08. Kylesa – Spiral Shadow
Just like their last effort, I approached this album with begrudging reluctance. Last time, it was because I was underimpressed with the previous release, but this time I feared unrealistic expectations since Static Tensions was #3 on my Best of 2009. Spiral Shadow was a slow-grower for me, but just like the guy on the couch, once it got comfortable it was difficult to remove.

08a. HowL – Full of Hell
The sound of Hotlanta in convenient Rhode Island form! Seriously, if you wanna bring the dirty, HowL are your people. Detractors can nitpick Full of Hell all day long, but must never lose sight of the fact that the album sounds exactly as it should.

07. Norma Jean – Meridional
I never would have guessed this one. Norma Jean had yet to strike so potently before Meridional, and I discussed the process with Jake Schultz shortly after its release.

07a. The Empire Shall Fall – Awaken
I had all but lost track of one Jesse Leach, who formed TESF after Seemless split up, and funny enough, one of my favorite interviews happened with Jesse this past April Fools Day. Both bands in this #7 slot drove welcome rifts in what some may call the “metalcore” genre, but if you read both those interviews, neither necessarily identify with that label.

06. Ihsahn – After
My first pick for the Best of 2010 remained for the entire year, with the Norwegian black metal giant pushing progressive boundaries further than he ever had before. The crazy saxophone work was a perfect addition to one of Metal’s most fearless composers.

06a. Agalloch – Marrow of the Spirit
I was originally going to put the Shining album Blackjazz opposite Ihsahn‘s After since both feature Jorgen Munkeby on sax, but instead decided on a late entry by Willie Strausser (who actually wrote both reviews); sometimes recency wins over primacy.

05. Atheist – Jupiter
Frighteningly fluid and precise, this is the year-end spoiler to end all year-end spoilers. Listen/read to my interview with Steve Flynn for even more insight!

05a. Accept – Blood of the Nations
Want another album written by an archetypal band who has not released new material in (blank)teen years and absolutely slays? Enjoy.

04. High on Fire – Snakes for the Divine
So not only is this the strongest High on Fire album yet, but they begin with their best song and it’s also the title track? Matt Pike has always had a big set of brass ones, and I wish E1 Music luck containing them, as their amazing year of releases from newly labeled artists as diverse as the classic Overkill to the newfangled Powerglove still aren’t quite as heavy as this crown jewel.

04a. Monster Magnet – Mastermind
Speaking of label jumps by stoner rock bands, I forgot Monster Magnet was jumping to Napalm Records until Mastermind was actually released. Their only other band that seems similar in style is the aforementioned K2B (which came out this year, too). No matter, good for all parties involved. Check out a happily revitalized Dave Wyndorf HERE.

03. Enslaved – Axioma Ethica Odini
The ultimate sonic realization from the Norwegian pioneers. My imagination can scarcely contain what the future now holds from these modern masters. Big thanks to all the work from our regional correspondent Mats Johansen, who reviewed this and the following album (in addition to much more).

03a. Kvelertak – Kvelertak
By comparison, the devastating debut from these death rockers likewise draws from a breadth of influences, but the fanciest thing found here is John Baizley’s artwork.

02. Consecration – .avi
We may lay Isis to rest. The sacred texts written by the American band surfaced in Serbia, and have been interpreted with honor. This was my favorite for quite some time, and one of the few albums I can admit to indulging on ‘repeat’ during an entire work shift.

02a. Fields of Locust – Subtopia
Of course, there are many bands seeking to fill the sizable gap left in the absence of Isis. And as it turns out, self-released seems to be the way to go this year. Head about 500 miles south of Consecration and you’ll come to Fields of Locust in Greece, whom I foresee in a mighty double-bill.

01. Killing Joke – Absolute Dissent
You need to hear this album—NOW. Trust me.

01a. Swans – My Father Will Guide Me Up a Rope to the Sky
Just as Killing Joke was off my radar, so were Swans. And in similar fashion, neither have a Metal core, yet turned out some of the heaviest music in 2010.

Top three live releases:

03. Dio – At Donington UK: Live 1983 & 1987
02. Heaven & Hell – Neon Nights: 30 Years of Heaven & Hell
01. Opeth – In Live Concert at The Royal Albert Hall

Three websites that made impressive advancements for the Metalverse:

03. DarkLyrics — thank you for reducing text size to make searching faster… and, you know, just existing
02. Encyclopaedia Metallum — Android app, Add-ons, & ‘Random Band’ search… oh, my!
01. Horns of the Devil — aggregated Metal reviews = perfect… and getting perfect-er


That’s all, folks. Sincere thanks to all contributors, subscribers, and visitors… we have loads more for the future, and hope you’ll join us there! m/om/

 

~MetalMattLongo

Review : HIGH ON FIRE – "Snakes For The Divine"

High On FireSnakes For The Divine
released February 23, 2010 on E1 Entertainment

Matt Pike is a metal god amongst mortals (all bias aside, as a fellow Matt that consumes the same substances). As important as Sleep ever was, the staggering intensity of High On Fire is now at its most potent.

Imagine everything Motorhead ever did right, updated and amplified, with a mystical undercurrent that bears chthonic wisdom. The title track/album opener is one of their best yet, with a bass-heavy chorus that harks back three decades to “Overkill”. There’s great interplay on lead single “Frost Hammer”, which features bassist Jeff Matz in an ethereal bridge singing harmony.

Song title to beat so far this year: “Bastard Samurai”! It also happens to be a methodical slow-burner with superb tone and an intriguing story. High On Fire‘s writing is succinct, well articulated, and fervently sung. And still, they manage good ol’ badassery like ‘son of a bitch should bleed awhile’ in the refrain!

Compared to the three instrumentals on Death Is This Communion, the single one here is “The Path”. It brings us to “Fire, Flood & Plague” – the only track that didn’t really grab me. The execution seems a little raw, and I think they could end the song better. By contrast, ‘Serpent came to Eve from Tiamat’ may be my favorite opening line on Snakes For The Divine. “How Dark We Pray” is also an excellent example of how well Matz invokes the mighty Geezer Butler to flesh out Pike’s solos, while Des Kensel’s dynamic drumming drives the dirge home.

Helping structure the chaos is Greg Fidelman, who famously worked on Slayer‘s World Painted Blood last year, and Metallica‘s Death Magnetic the year before that. Snakes For The Divine will not only be Fidelman’s finest output in 2010, it also raises the bar for High On Fire as a band, and is certainly the finest heavy album on all of E1.

A solid pick for Best of 2010!
FCC : 4 (but it easily blows right past)
Try 1, 2, 3, 7, 8

01. Snakes for the Divine
02. Frost Hammer
03. Bastard Samurai
04. Ghost Neck
05. The Path
06. Fire, Flood & Plague
07. How Dark We Pray
08. Holy Flames of the Fire Spitter
09. Mystery of Helm (Bonus Track)

[xrr rating=4.5/5]

Photos : HIGH ON FIRE Live at The Armoury in Albany on 2009Oct25

The first band of the evening, and quite a short set. I snapped the most pictures during High On Fire, unfortunately sucking up most of my battery life. Well, that’s what I get for forgetting to charge my batteries beforehand. I gotta say, for the only shirtless guy that night, Matt Pike has quite a belly on him! If he wasn’t a legendary ultra-badass, that would probably work against him.

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