Live : HAMMERS OF MISFORTUNE and THE GATES OF SLUMBER at T.T. the Bear’s Place

I was either fickle or faithful that night, depending on your point-of-view.

Agalloch had again announced a tour. The pitch-black pastoral Portlandians are rarely seen in real life, so just like back in early 2011, I jumped at the opportunity to catch them. As someone who hosted a weekly live Metal Monday gig and frequented heavy live actions in Vermont or Montreal, I missed the energy, the camaraderie, the completely fucking different feel of my favorite bands in front of me. So of course I’m going to Agalloch. We didn’t say these kind words about them and include the band on three of our ‘Best of 2010’ lists for nothing.

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Brad Barratt's Top 10 of 2011

As I sit here with my glass of Imperial Stout Trooper, I stroke my beard and think about the metal releases that stoked my interest in 2011. Most of those were doom metal, stoner rock, or a hybrid of the two genres.  What can I say? I like to mellow out after a day of being wound tighter than Pickles when his brother Seth tortures him. [Which reminds me: when is the last time I watched Metalocalypse?  ~Ed.]

The Gates of Slumber - The Wretch
I cannot recall a time in my experiences with doom metal when a song just grabbed me so fucking hard that I didn’t know what the hell had hit me. That song was “Coven of Cain” and it brought back fond memories of Saint Vitus, especially from Born Too Late. The Gates of Slumber are a band that ALL fans of doom metal should watch because I have a feeling that 2012 will be their year. The sting from those boilermakers was worth it.

Cauldron - Burning Fortune
I remember the first time I heard Burning Fortune by Cauldron. It’s one of those album that I just could not stop listening to. When I interviewed Ian Chains, he had a choice response that I feel defines Cauldron’s purpose in the metal world: New wave of nothing, we used to just call it heavy metal, I don’t think we’re a part of it. We were around before that tag came along and will probably be around after the “wave” bands are gone. What will they call it then? Well said.

Argus - Boldly Stride The Doomed
Stride? Argus STORMED my ears that fateful day in April with punishing riffs that evoked doom virtuosos Candlemass and Trouble. The title track brought Samson to mind. Vocalist Butch Balich’s impersonation of Messiah Marcolin tops this album on “Pieces of Your Smile” with a stellar backing on skins by Kevin Latchaw.  It’s my hope that Argus will pick up more steam in 2012!

Cathedral - Anniversary
Yet another excellent (albeit live) release from the doom (and later stoner metal) pioneers. I couldn’t get enough of this album, and the fact that most songs came from their Carnival Bizarre release was enough to seal the deal. 2012 is possibly the final year for Cathedral and I expect The Last Spire will inspire fans of doom metal, both old and young. [Good, because The Guessing Game does as its title suggests!  ~Ed.]

Hammers of Misfortune - 17th Street
I was stoked to hear of this release after reviewing reissues of their last four albums on Metal Blade Records. MetalMattLongo tackled this release, and like him, 17th Street amazed me from first listen. I also agree that a shorter album length and a new guitarist (Leila Abdul-Rauf) paid off. I like “The Grain” and “Going Somewhere”, “Summer Tears” is the sleeper hit.

Electric Wizard - Black Masses
This was one of the first new (U.S) releases for 2011 that I spun over and over. I first became familiar with Electric Wizard when Willie Strausser started spinning their older material on his show, ‘Native Metal’. It’s no surprise that his words resonate with my thoughts on this album. While not the best out there (I’m partial to Dopethrone), it was a welcome release, and it compliments several other doom releases that I later enjoyed in 2011.

Pentagram- Last Rites
2011 was a marvelous year for Pentagram with Last Rites, an album that served as a reminder that they hadn’t kicked the bucket just yet. I still stand by my words, especially on the track “Horseman” (which really, really should have been the b-side to “Be Forewarned”). Frontman Bobby Liebling also conducted an excellent interview in Spin magazine this year, in which he talked about battling his demons and keeping the band together. I would love to see Pentagram tour with Saint Vitus, Cathedral and Black Sabbath before I get too old.

Serpent Venom - Carnal Altar
I never expected to find myself in a Carnal Altar, but I admit that it was one of my most mind-bending experiences—one I haven’t been able to recreate. Fortunately, there’s a lot to like about this album. “Four Walls of Solitude” pays homage to the Lord of Doom, Tony Iommi, while “Devilshire” is reminiscent of Electric Wizard. If the young’uns still don’t know what a Stereo 8 is, they should seriously ask their parents.

End of Level Boss - Eklectric
Eklectric
from End of Level Boss was another surprise this year. They certainly aren’t easy to peg and that’s a good thing because you’ll hear a mixture of doom, sludge and progressive metal, with thought-provoking themes that contributed heavily to my review.

 

Karma to Burn - V
I have to admit, V almost wasn’t on my radar and some reviews on other sites were less forgiving. Regardless, I spent hours loving it, and have since added several older K2B releases to my collection. I don’t know how to describe it, but there’s just something about their music that clicks with me. Karma to Burn should be consumed by all fans of sludgy stoner rock.

 

~Brad Barratt 

Review : THE GATES OF SLUMBER – "The Wretch"

The Gates of Slumber- The Wretch
Release date: 2011May10 (US)
Label: Rise Above Records / Metal Blade
Rating: 5/5

The Gates of Slumber return with The Wretch, their first album since 2009′s Hymns of Blood and Thunder. This time, they’ve traded the skullduggery for a sound that more closely emulates one of their influences, Saint Vitus (on a side note, if you’re not familiar with Saint Vitus, pick up a copy of Born Too Late).

“Bastards Born” opens with a plodding pace mated to heavy, punishing bass licks courtesy of Jason McCash. It sets the mood for a night of endless boilermakers, which led me to the “Scourge of Drunkeness”. The pounding drums of J.Clyde Paradis sync up with the current throbbing in my head, followed by piercing vocals of Karl Simon. Ouch!

Speaking of Karl Simon, he still positively channels Wino with the somber “Castle of the Devil”, and  ”Coven of Cain” sounds like a Born Too Late tune literally emerged too late. While solid, I think “Iron and Fire” should have followed “Coven of Cain”. “Iron and Fire” embodies everything that The Gates of Slumber stand for, and cements their status as one of the pillars of modern doom metal. The Wretch is an album that people will be talking about for the next 20 years and should surely inspire the young hellions of today to carry the mantle.

FCC: OK
Try: 1, 2, 5, 6, 8

01. Bastards Born
02. The Scourge of Drunkeness
03. To The Rack with Them
04. Day of Farewell
05. Castle of the Devil
06. Coven of Cain
07. The Wretch
08. Iron and Fire

~Brad Barratt

Review : THE GATES OF SLUMBER – "Hymns of Blood and Thunder"

The Gates Of SlumberHymns of Blood and Thunder
released September 29, 2009 on Rise Above Records

Retro doom is how these Hoosiers roll.  This is the trio’s fourth album, and they’ve really built a groundswell since their signing with Profound Lore, who released 2008’s Conqueror.  Now on a label owned by Cathedral’s Lee Dorrian, their stars may finally fully align.

Strong parallels to classic masters like Black Sabbath and Candlemass abound. Guitarist/vocalist Karl Simon channels Wino’s throat and Iommi’s fingers in a way that both hearkens the past and piques interest presently. The first pair of hard-chargers are akin to “Neon Knights” in terms of pacing and attitude, and are similarly baited with sharp hooks. They’re adept at slower tempos and longer songs, following with two of the most epic tracks here.  The warm analog production positively radiates from the percussive, keyboard-laced “Beneath The Eyes of Mars” and their unquestionable centerpiece, “The Doom of Aceldama”.

The classy instrumental midalbum marker, “Age of Sorrow” marks a turning point, however. “The Bringer of War” has some great guitar-and-bass interplay, but doesn’t quite ‘bring it’ overall.  And while appreciable dynamics drive “Descent Into Madness”, it’s too repetitive in more ways than one (though the instrumental fills help).  Then it ends with a tune better suited for a Renaissance Faire (“The Mist In The Mourning”) sandwiched between two lackluster tracks, one of which is the near-title track and album closer.

Considering one expects Manowar-levels of cheese by the look of the album cover, Hymns of Blood and Thunder turns out a powerful, passionate statement that easily stands shoulder-to-shoulder on the front lines of the battlefield.

FCC OK
Try 1, 2, 3, *4*

01. Chaos Calling
02. Death Dealer
03. Beneath the Eye of Mars
04. The Doom of Aceldama
05. Age of Sorrow
06. The Bringer of War
07. Descent Into Madness
08. Iron Hammer
09. The Mist In the Morning
10. Blood and Thunder

[xrr rating=3.5/5]